slater_films

After many years of searching for a new set of lenses for my filmmaking, it all came to two different options. I firstly thought about using Sigma art lenses, these are very robust and have an incredible look. I have worked many times with the 24-105mm lens this is a fantastic lens that did everything I wanted it to do and more, I found the colours to be the exact way I like and I loved how versatile it could be using all the focal lengths. Additionally, I found the build quality to be fantastic with a great weather seal with a metal body made for a strong and durable setup, this being something I find necessary for my kit as I work in aggressive environments.

With all this in mind I also wanted to see another option to see what that would look like in terms of workflow and visual creativity, I researched the difference between cine lenses and photography lenses. Cine lenses and photography lenses serve distinct purposes in the world of visual storytelling, each designed with unique features tailored to their respective mediums. Cine lenses, crafted specifically for filmmaking, prioritize smooth and precise manual focus, aperture control, and zoom mechanisms. They are engineered to deliver consistent optical performance across a range of focal lengths, ensuring seamless continuity between shots and facilitating the demanding requirements of cinematic production. Moreover, cine lenses often feature geared focus and aperture rings, allowing for seamless integration with follow focus systems and other filmmaking accessories.

In contrast, photography lenses are optimized for capturing still images, with an emphasis on rapid autofocus, lightweight construction, and versatility in various shooting conditions. While some photography lenses can also produce exceptional video quality, they may lack the specialized features necessary for professional filmmaking, such as parfocal zooming and minimal focus breathing. Additionally, photography lenses typically prioritize compactness and portability, making them ideal for on-the-go shooting scenarios but potentially sacrificing some of the robustness and precision required for cinematic applications.

After deliberating over the two different lens options I came to the conclusion of getting the Samyang Cine lens kit, the reason behind this I decided I wanted to have more creative control when shooting. This is highlighted with the focal throw and the de-clicked f stop allowing me to be a little more precise with my shooting settings. Filming allows me to be creative choosing kit that will help that creativity is sop important to my filmmaking journey, having had these lenses for the past month I have decided I made the best decision as I have fallen in love with these lenses and shooting on the 35mm has become so much fun.

In conclusion, investing in Samyang VDLSR MK2 lenses is a decision that any filmmaker or videographer won’t regret. With their exceptional optical quality, precise manual controls, and durable construction, these lenses elevate the filmmaking experience to new heights. Whether you’re a seasoned professional or an aspiring filmmaker, the versatility and performance of Samyang VDLSR MK2 lenses make them an indispensable tool in your creative arsenal. From capturing breathtaking landscapes to intimate close-ups, these lenses deliver stunning results that exceed expectations. So, if you’re looking to take your filmmaking to the next level, look no further than Samyang VDLSR MK2 lenses – they’re truly fantastic in every aspect.